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Private Copying

Private Copying

This collection of leading legal and industry experts present their visions of the key aspects of the levy systems for private copying and analysis of the challenges faced in the near future. Chapters include fair compensation, rightsholders, consumers and manufacturers of electronic devises and blank media, downloading of music files from P2P networks, TMPs and DRM, balancing the legitimate interests of rightsholders and the expectations of consumers. Do consumers have an enforceable right
to private copying? What constitutes a
fair compensation for the rightsowners?
Has there been any assessment of the
harm caused by private copying? Is there
enough transparency in the process
of collecting and distributing levies?
How are levies being determined? Who
collects the levies? Who pays the levies?
Which amounts are distributed
to rightsholders? Is it reasonable to apply
levies to multifunctional equipment
such as PCs, MP3 players and mobile
phones? Can DRM be an alternative to
ensure compensation to rightsholders?
Are consumers paying twice for the right
to copy; first through licensing fees and
second through copyright levies? Or are
consumers even paying for rights they
do not have in practice?

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New York City’s Finance & Film Industries Comes Together January 20th to show support for the people of Haiti


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New York City’s Finance & Film Industries Comes Together January 20th to show support for the people of Haiti

New York City’s Finance & Film Industries Comes Together January 20th to show support for the people of Haiti


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Home Page > Arts & Entertainment > New York City’s Finance & Film Industries Comes Together January 20th to show support for the people of Haiti

New York City’s Finance & Film Industries Comes Together January 20th to show support for the people of Haiti

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New York City’s Finance & Film Industries Comes Together January 20th to show support for the people of Haiti

By: Alberto Stellpflug

About the Author

(ArticlesBase SC #1742047)

Article Source: http://www.articlesbase.com/New York City’s Finance & Film Industries Comes Together January 20th to show support for the people of Haiti





(1888PressRelease) – New York Film & Finance (NYCFF) announced today that their first event of the new season will be in support of the people of Haiti.

“We cannot stand by without trying to at least make some sort of impact. So, our upcoming NYCFF Film Mixer will be a Special Edition event. We’re asking everyone to come out and support this effort to help the people of Haiti” said Daron Jenkins, chief executive officer of SCENEPR.

NYCFF Film Industry Mixer is a monthly after work event designed to help Entrepreneurs, attorneys, bankers, investment managers, entertainment lawyers, venture capitalists and above the line film professionals connect on film and television projects. This event allows executives & entrepreneurs with little or no investment experience to come and explore options for investment informally and builds roads toward business relations.

Coming off a highly successful inaugural launch in November 2009, NYCFF Film Industry Mixer is taking off again 2010. NYCFF Film Industry Mixer is supported by Analog Digital Intl., Film News Brief, ProductionHUB.com and SCENEPR.

“The primary goal of the NYCFF Film Industry Mixer to provide a conduit for potential film investors to discover the next Paranormal Activity, the next great Reality TV Project, the next…. That’s what it’s all about in the film industry, always looking for the next great project, You have got to do it in a somewhat safe environment though, obvious last year filmmakers were a little stressed trying to find money for film projects and film investors being more careful about where to spend. I think though there are a number of new players who will venture into the pool this year, but probably need a little help getting more information on the ins and outs of investing in film, and so we invite both experienced players and newbies, and of course above the line people from film. It’s a great mix and always plenty of positive conversations that happen during the evening. ” Jenkins said “In recent year, we have witnessed growing audience in the theaters as happens during times of recession in the country, which means the film industry is probably a safer investment than stock right now. Of course it still comes with risk, but I’d much rather put 0,000 on a great film project than in the market right now. And I think that I’ve personally seen some very, very good film projects come across my desk recently so good investment opportunities are definitely out there awaiting.”

The next NYCFF Film Industry Mixer takes place in New York City on Wednesday, January 20 at GStaad 43 West 26th Street, New York, NY. This January event will be a special edition event, donating a portion of the proceeds to Wyclef Jean’s Yele Foundation. (http://www.yele.org). “We each know someone whose life has been directly effected by this disaster. Let’s make sure to show them we haven’t forgotten them! We really hope people come out and show support, but more importantly take action whether it’s by coming to our event or giving to the Red Cross or if in NYC, calling 311 to find out how they can help.”

Entrepreneurs, attorneys, bankers, investment managers, entertainment lawyers, venture capitalists and above the line film industry professionals (producers, directors, casting directors, etc.) and general public who wish to attend should visit http://filmmoney.eventbrite.com.

Agencies or Film Productions who would like a customized, in-house presentation as part of this event should contact the NYCFF directly at 917-720-2141.

About the New York City Film & Finance

NYCFF is a member community of individuals in both the film and finance industries interested in working together to produce independent & feature films for theatrical distribution. Film Directors, Producers, and those investigating opportunities for investment are welcome to join. Visit Us on LinkedIN at http://www.linkedin.com/groupRegistration?gid=1030297.

http://www.scenepr.com/

Source:

http://www.1888pressrelease.com/film/finance/new-york-city-s-finance-film-industries-comes-together-jan-pr-178452.html

Retrieved from “http://www.articlesbase.com/art-and-entertainment-articles/new-york-citys-finance-film-industries-comes-together-january-20th-to-show-support-for-the-people-of-haiti-1742047.html

(ArticlesBase SC #1742047)

Alberto Stellpflug
About the Author:

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Source:  http://www.articlesbase.com/art-and-entertainment-articles/new-york-citys-finance-film-industries-comes-together-january-20th-to-show-support-for-the-people-of-haiti-1742047.html

Article Tags:
haiti, disaster relief, investment, entertainment lawyers, networking, business

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This summer’s smash television hit, So You Think You Can Dance, features choreography by Wade Robson, a young man with an ever-rising media profile. Robson is much more than just the creator of electrifying dance routines: he’s also an actor, a director, a songwriter/producer, the creator of the MTV show, The Wade Robson Project. Add to this his own line of footwear (Power Shoes), a three-picture deal with Disney as a director/choreographer, and his original dance music series made for aspiring dancers, and it all adds up to a full slate of projects for this accomplished multi-disciplinary artist.

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Robson’s attorney, leading Los Angeles entertainment attorney Helen Yu, of Yu Leseberg, negotiated and strategized each of Robson’s deals. She states: “Normally, a dancer’s career is done by their late twenties, but Robson has continued to expand his career by strategically planning his future beyond just dancing and choreography. All forms of media and entertainment are converging these days. Whether it is choreography, film, music, television, art, or commercials, choreographers need to expand their repertoire outside of choreography into other media. For Wade, I’ve been able to meld his choreography with a successful career in music and video directing, and also license his brand for a shoe line.”

Most people who are new to the entertainment industry do not understand how much attorneys are involved in seeking out, setting up, and structuring the deals of their clients. When an artist, such as choreographer Wade Robson, reaches a level of visibility in the choreography world, Helen Yu recommends they do the following:

1)    Understand the vital steps that you need to make to move your career beyond choreography.

2)    Maximize your profile using digital media, the internet, and other outlets. Each form of media needs a separate licensing agreement and most attorneys are only trained to negotiate only music, television, film, or digital media. Very few have experience in all four major areas.

3)    Expand to music. Music is natural segue for choreography, as music and dance are so intertwined.

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About Helen Yu

Helen Yu, Esq. is a Los Angeles entertainment lawyer with the law firm of Yu Leseberg, A Professional Law Corporation. Her practice focuses on helping musical artists, film producers, actors, television producers, and directors to negotiate bigger and better deals and strategically position themselves in the entertainment industry. For more information call 310-286-7667 or contact via e-mail.

About Wade Robson

Wade Robson is a major creative force with 18 years of entertainment experience in only 23 years of life. He has choreographed and directed music videos, commercials, award shows, and world tours for recording artists such as Britney Spears, NSYNC, Usher, Mya and Pink. He created, produced and starred in MTV’s hit series, The Wade Robson Project. Since then he has written, choreographed, and directed commercials for Sirius and Power Shoes, his own line of footwear, an award-winning short film, and has a three-picture deal with Disney as a director/choreographer. He has choreographed, directed, and written music for multiple featured dances in this season’s series of the hit Fox TV show, “So You Think You Can Dance.”

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Haynes and Boone Establishes Sports and Entertainment Practice




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Experienced sports and entertainment lawyer Ed Schauder has been selected to head up a new Haynes and Boone, LLP practice focusing on the specific needs of the sports and entertainment industries. The Sports and Entertainment practice at Haynes and Boone is designed to assist sponsors, franchise owners, film-makers, producers, athletes, celebrities and other performers with their specialized needs, drawing on the full resources of the firm.

As head of the Haynes and Boone Sports and Entertainment Law Group, Mr. Schauder will lead a team selected from the firm’s almost 550 lawyers, across more than 30 practice areas and 12 offices. “The support of my colleagues here at Haynes and Boone is a reminder of why I chose to be a part of this firm, Mr. Schauder says. “And the strong positive reaction from my friends and clients in the sports and entertainment industries has made the opening of this practice even more exciting.”

“Ed has developed a unique approach to sports marketing that has been embraced by some of the most storied teams and individuals in modern history,” says New York partner Gil Porter, who oversees the Sports and Entertainment Law Group. “We are very excited to add this practice capability to our firm, and to have Ed leading the effort on behalf of our clients. His reputation and experience in this area, coupled with his sophisticated corporate and transactional background, make Ed the perfect choice to lead this growth practice.”

Mr. Schauder co-founded the Negro League Baseball Players Association in 1990 as part of a successful effort to obtain recognition and financial assistance for members of baseball’s Negro Leagues. He also innovated the practice of incorporating championship sports teams and other groups of performers with shared historical accomplishments, in order to maximize their value. In that capacity he has helped organize and represent, among others, the 1969 Mets, 1980 U.S. Olympic Hockey Team, 1977 Yankees, 1972 Miami Dolphins and 1989 New York Giants.

“It is important to note that our practice does not compete with sports and entertainment agencies,” Mr. Schauder says. “Rather, we provide tactical and legal support for select agents, serving as a second set of eyes to assist the agents in developing smart structures that enhance the value that the agent brings to the client. Our broad and deep knowledge of legal issues and trends, coupled with our industry-wide relationships, make us a valuable part of the arsenal available to assist valued agent clients.”

Mr. Schauder pioneered techniques for securing personal licensing rights, and has negotiated licenses, corporate sponsorships, endorsements and memorabilia transactions. In the film industry, his experience includes financing of film production, securing intellectual property rights associated with the project, all aspects of film production and licensing and merchandising rights associates with the film project.

Mr. Schauder served as director of legal and business Affairs for 4Kids Entertainment, Inc., a public company that served as licensing agent for such properties as Nintendo, World Wrestling Entertainment, James Bond, The Shadow, Harlem Globetrotters and Robocop. He has negotiated appearance agreements for numerous athletes, including Larry Bird, Pete Rose, Yogi Berra, Lawrence Taylor, Bill Walton, Gayle Sayers, Tom Seaver, Ron Guidry, and Rod Gilbert. He has appeared on Good Morning America and numerous sports cable network shows, has been a frequent guest on WFAN Radio, and has been featured and quoted in sports industry periodicals and national newspapers and magazines including Sports Collectors Digest, Sports Illustrated, The Sporting News, USA Today Baseball Weekly, the New York Mets Inside Pitch and Scorecard, the Chicago Tribune, New York Times, New York Daily News and New York Post.

Haynes and Boone, LLP is an international corporate law firm with offices in Texas, New York, California, Washington, D.C., Mexico City and Moscow, providing a full spectrum of legal services. With almost 550 attorneys, Haynes and Boone is ranked among the largest law firms in the nation by The National Law Journal. The firm has been recognized as one of the “Best Corporate Law Firms in America” (Corporate Board Member Magazine, 2001-2008), as one of “The Best 20 Law Firms to Work For” (Vault.com, 2008), and as a Top 100 law firm for both diversity (MultiCultural Law Magazine, 2009) and women (Women 3.0, 2008).

CONTACT:

Douglas Bedell

Haynes and Boone, LLP

214.651.5815 (office)

214.704.3058 (cell)

www.haynesboone.com

# # #





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